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American approach of directing actors in film
Nvotová, Tereza ; KAJÁNKOVÁ, Lucia (advisor) ; GEDEON, Saša (referee)
The thesis focuses on contemporary the American approach of directing actors in film. It reflects different techniques with an emphasis on director's preparation. Chapters inquire into the collaborative process - from getting to know different acting approaches, script analysis, casting, rehearsal and shooting. The main aim is to illustrate the techniques used while working with actors in American films.
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SPECIFICS OF CREATING SOUND DESIGN OF ANIMATED FILM
Karhánková, Kateřina ; KUBÍČEK, Jiří (advisor) ; GREINER, Ladislav (referee)
The thesis explores the production of sound for animated film – its specifics as well as aspects of realization and of preparation and audio dramaturgy. It examines how they impact storytelling and the extent to which it is possible and useful to work with them from the very beginning of development of an animated film. The thesis also presents the practical and creative possibilities of cooperation between director and sound designer, alongside factors that may have a positive or negative influence in this regard. It draws on literary sources, interviews with the makers of animated films and knowledge acquired by the author in the field of directing and screenwriting of animated films. The thesis confirms the importance of the role of sound in animated film and its positive influence on the resulting quality of AV work (unless it has been omitted from the start of the filmmaking process). It summarizes the basic approaches that allow animators to work with sound in animated film as a fully-fledged narrative component.
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Romanian New Wave approaches to background action directing
Hecht, Jan ; MAREK, Petr (advisor) ; ŠPAČEK, Radim (referee)
This bachelor thesis focuses on the director's approach to the so-called "background action directing". Its theoretical frame and formal aspects, which can be used by the director when creating the background action, is discussed in the first part of this work. The focus in the work's analytical section is on the way these aspects are practically applied. This is shown on some films chosen from the Romanian New Wave, which is seen in this work as an original national-cinematographic phenomenon. The thesis finishes with the author's evaluation of his own experience with the given topic and summarises the outcomes of the analysis of the cinematographic works.
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Transformation of the means of expression in the films of Steven Soderbergh during the transition from anolog to digital technology
Hudeček, Ondřej ; SMUTNÝ, Vladimír (advisor) ; MAREK, Diviš (referee)
Bachelor thesis "Transformation of the means of expression in the films of Steven Soderbergh during the transition from analog to digital technology" deals with the transformation of the creative approach in the works of Steven Soderbergh with the focus on the changes that the digital technology have brought. The birth of the digital technology from various authors' point of view is introduced for a complex understanding of the topic. The thesis doesn't deal with the technical comparison of the two technologies. Furthermore, the transformation of means of expression of Steven Soderbergh as the director, cinematographer and editor is described separately, as well as the overall transformation of his creative approach divided into three periods, and the anticipation of his future career.
The operating methods are study of foreign and Czech literature, comparison of the aesthetic attributes and technical possibilities of the analog and digital technology, analysis of the films of Steven Soderbergh, content analysis and participant observation.
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The Director - Actor Collaboration
Šmíd, Jakub ; POTMĚŠIL, Jan (advisor) ; MAREK, Pavel (referee)
The thesis inquires into the process of the film director's collaboration with an actor in creating a dramatic character. The chapters analyse the constituent phases beginning with screenplay analysis, through casting, various attitudes towards rehearsals, realization of the film to post-production.
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A Director´s Subtle Control
Pimentel, Carla Carolina ; JANEČEK, Vít (advisor) ; DOMINKOVÁ, Petra (referee)
During my directing mentorship I have come to understand how to work in collaboration with most of the different facets of filmmaking that contribute to making successful films. With practical analysis of major films and filmmakers of our history and with the instillment of visual theory, it is clear that filmmaking is never as easy as it looks. My aim is to enlighten some techniques used by the old and new in different variations. My take is directed specifically on how to work with actors. Through exercises, situations, techniques and practical examples, I attempt, with this study, to help developing directors understand the individual variations of working with actors and non-actors. The path of a director is one of countless obstacles, but with intuition and a developed technique the director can be prepared for the unexpected.
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